murpworkschrome is my new website and all my photography will be posted there. It will be my repository for my best work. So, visit it for monochrome, chrome, available light, nature, landscape, urban…
I’ve split it into two distinct streams so you can chose between
I took these photographs in Avebury back in April 2018. A very different approach was taken to each photograph but it is the land that pulls them together as a cohesive whole. I have visited here, many times with mu and we always find it a special place to spend time. The history is palpable. This Avebury in April showed a stark landscape brought about by the clouds that hung ominously, but didn’t rain.
I love this photo as it captures the fun of the snow. mu is clearly happy after braving the snowfall to place fatballs out for the birds. The ground was covering fast and any food sources would be impossible to find. I think Black and White for this photograph suits the subject, the contrast works. It doesn’t snow very often in Wiltshire and when it does, it rarely ever settles. This time it did to create a Snow Garden.
This was a last claw of Winter, within 48 hours it had all gone and was just a distant memory and #beastfromtheeast fell from photographs, tweets and posts as quickly as the snow. I still see the occasional pile by the side of a drive or road persists, packed hard by shovelling and impacted by road grit.
The snow came this year. Most years, down here in Wiltshire, we seem to be sheltered from the worst of the weather that affects more exposed areas. It was the combination of the Beast from the East and Hurricane Emma meeting, that dumped a thick white blanket. It caused chaos for 48 hours; blocking roads, closing railways lines and stations and grounding planes at airports across Britain.
Meanwhile, in a small village just off the Western edge of Salisbury Plain, I was given the opportunity to capture one of my favourite photographs to date.
Continuing the theme of Snow Garden, after the snow had fallen and lain in the grip of cold, I captured more shots in the garden.
I used the Creamtone B+W Preset in Lightwave to process these images and it gave them the feel I was looking for.
The steps upto a door is a re-visit of a photograph I took last year
I always see steps leading upto somewhere rather than down-from.
A Little Bit of Le Corbusier
These are in the Three Horseshoes Walk precinct in Warminster, Wiltshire. They are very utilitarian and unadorned, they conjure up thoughts of Le Corbusier, passing through and thinking “That wall’s a bit bare, I could spruce it up a bit. I know, a series of steps…”. He then moved on to some big commission for an important client, in some perfect setting, feeling like he’d put something back into the community.
When seen in context, below it looks as if you could pick them up and move them or even some kind of plain Trompe L’oeil…
Taken on 27 January 2018 at 16:38 on Google Pixel 2.
The gritty Winter’s day led me to manipulate this photogrpah from its original colour, into Black + White. Glastonbury Tor is iconic. It stands proud above the Somerset landscape as a beacon to anyone who looks at the world differently. It is a mixture of myth, magnificence, nature and man.
This won’t be the last time I will photograph the Tor.
I took this photograph in Bradford-on-Avon Tithe Barn on 16 December 2017 and even though it was during the day, it was dark. Movement, coupled with lack of light produced the above image.
The Tithe barn backs onto the Kennett and Avon Canal and it was against the wall that runs around the barn. It was on the towpath side that the Floating Christmas Market was held (see my Tales from the Bilge blog post).
Less of a Mistake
The actual photo I was trying to get looked more like this
However, I think the following Black & White image captures the feel of the place on the day best. I love the sword-shaped window, hanging Damoclean against the far wall.