— The Rising Tentacle

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History of Influences

‘You Don’t Read Fiction’

At secondary school we used to have library periods and at that time, the one thing I remember above all else was the teacher leading the class telling me ‘I didn’t read fiction’. The session was specifically for reading fiction. I was reading stuff about politics (I can’t believe it now, it’s the farthest thing from my mind) and other non-fictional stuff. If truth be known, I was probably choosing books by their covers, very magpie-like. The teacher in question advised I should read something fictional and suggested The Hobbit by JRR Tolkien. From that moment on, I was hooked. I went on to read The Lord of the Rings. I bought the Pauline Baynes cover illustration paperback version and read it many times. I was reading it once a year for several years as a teenager. I still have that copy that is falling apart. I loved that yellow spine and its cover art. This was all a long time before the film trilogy was even thought about.

[I sit and write under a copy of the poster of Bilbo's Last Song, also illustrated by Pauline Baynes]

J R. R. Tolkien

  • The Hobbit
  • The Lord of the Rings

[ Tolkien Estatetolkien.co.ukThe Tolkien SocietyTolkien's OxfordThe Tolkien LibraryTolkien OnlinePlanet Tolkien ]

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Stephen Donaldson books image

Reading The Lord of the Rings opened up a whole universe of stuff. I was already a big fan of classic rock and prog and there were images and sounds based heavily upon Tolkien’s world to be found here but there were also new worlds opening up. One such world was the world of The Chronicles of Thomas Covenant, the Unbeliever by Stephen R Donaldson. Donaldson authored a world like Tolkiens but not. It was different. It had similarities which gave the reader a comfort, you could ease into the world but it was a very different imagining. There are some haunting moments in the books and the idea of the land being so achingly pure, without taint has always stayed with me. I remember buying the Paper Tiger book Realms of Fantasy which had a section on THE LAND of Thomas Covenant I loved the images by Mark Harrison but they couldn’t convey truly, the sense of what Donaldson was portraying, for me anyway.

Stephen R Donaldson

  • The Chronicles of Thomas Covenant the Unbeliever
  • The Second Chronicles of Thomas Covenant
  • Mordant’s Need

Stephen R DonaldsonThe LandKevin's WatchWikipedia ]

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Probably the next thing I read was Neuromancer by William Gibson, quickly followed by Count Zero and Mona Lisa Overdrive. The opening line of Neuromancer – The sky above the port was the colour of television, tuned to a dead channel embodied everything about the book. It took cyberpunk mainstream and nothing could ever be the same again. It must have been so cool being in the vanguard of something so new. The opening of a story is so important and I always strive to approach Gibson’s mastery (even if I fall a longways short).

William Gibson

  • Neuromancer
  • Count Zero
  • Mona Lisa Overdrive
  • Burning Chrome

[ William GibsonLevityproject.cyberpunk.ru ]

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This period, encompassing these three sets of books was the formative period of my desire to write. To write, you have to read (George RR Martin says so, so it’s canonical law) and it was here that the seed was sown. All I can say is that it took a damn long time to germinate!

RP

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Early Days

My history of influences from a written perspective started at an early age. I have vague recollections of learning to read at school but there are two things that stand out clearly; some books with pirates in and some small books called Ant and Bee.

I saw one of the Ant and Bee books in an Oxfam shop commanding an extreme price a couple of months ago. There’s an unofficial site which shows them being reissued. The author was Angela Banner.

I think I’ve tracked dow the Pirate books via this forum and this link.

It all seems so long ago but I still remember them with fondness.

The next influence was Alfred Bestall and the Rupert annuals. Even today, I still love the way the stories were illustrated and the ‘chunk of prose’ / ‘short rhyming verse’ approach. I actually own several of the original Bestall annuals. It was a magical, separate world but still part of our own. The front covers, the end pieces, the image at the end that bled into the white page, the magic painting. All these are visual elements but they complimented the stories perfectly; The Englishcountryside, Eastern magicians, travelling circus people, a sense of readiness for adventure. Bestall’s biography by Caroline G. Bott is a fascinating insight into the illustrator.

Bestall took over from Mary Toutel in 1935 with his first story, Rupert, Algy and the Smugglers up until his last known drawing in 1985.

Guardian ReviewBBC Wales North West reviewBiographyICONBlue Plaque honourFollowers of Rupert BearShopWikipedia |

Another great series of books I read around this time were the Enid Blyton Famous Five series. I had most of them in red hardback. As with Rupert, it was the English countryside setting and adventure that inspired me. Cornish names, camping, islands to explore by boat and people up to no good. I remember reading them, under the bed covers at night by torch as clear as day. Titles like Five Go To Smuggler’s Top, Five On Kirrin Island Again, Five On A Treasure Island still stir excitement.

Enid BliytonWikipedia |

I read Arthur Ransome‘s Swallows & Amazons but not a this time, much later, as an adult. It had that same feel of adventure.

AR SocietyMuseumAll Things Ransome |

I also had a set of encyclopedias, each one a different colour for a different subject. I poured over them, page by page and some of the information must have stuck!

A few years later I was given some books on the second world war by a neighbour who was in the Air Force. These had details of tanks and planes and one bit that sticks out in my mind is the way a sniper hides his body behind a tree. Don’t know why. Just does.

RP

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